Beyond the Damsel in Distress: The Evolution of Female Representation in American Horror films
Par Reda Boulkhiam
[Fiche] This article examines the evolution of the portrayal of women in American horror films. Far from static, female representation in horror has undergone a dramatic transformation, evolving from the subversive and complex figures of the silent era, to the helpless, moralized victims of the Hays Code period, to the emergence of the Final Girl trope in the 1960s and 70s, a figure who both upholds and disrupts patriarchal norms. The 1980s and 90s brought a new wave of seemingly empowered (...)
Lire l'articleMale Gaze and the Monstrous Pursuit of Perfection in Coralie Fargeat’s « The Substance » (2024)
Par Reda Boulkhiam
[Fiche] ((The Substance)) is a grotesque and satirical body horror film that reimagines Hollywood’s obsession with youth and beauty through the tragic story of Elisabeth Sparkle, an aging TV star who uses an experimental drug to create a younger version of herself. This article examines how the film critiques the male gaze by portraying the female body as a site of performance, commodification, and ultimately, monstrosity. Drawing on Laura Mulvey’s theory on the male gaze, it explores how (...)
Lire l'articleProgramme et ressources pour le CAPES, CAFEP-CAPES et CAPLP - session 2026
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Dernières publications
Plus ...- The Soweto Massacre of 1976: Youth Resistance, Apartheid Education, and Its Lasting Legacy
Par Reda Boulkhiam
[Question d’actualité] The Soweto Massacre of June 16, 1976, was a protest led by black school children against the apartheid government’s imposition of Afrikaans as the language of instruction in black schools. Thousands of pupils where marching peacefully in the Soweto township when the (...)
- Orientalized and disoriented identities in The Parisian (2019) by Isabella Hammad
Par Blandine Colas
[Fiche] In her debut novel The Parisian, Isabella Hammad narrates the life story of Midhat Kamal and his family in Nablus, during a pivotal period when Palestinian territory transitions from Ottoman rule to British control. Through Midhat’s journey to France and back to Nablus in 1919, this (...)
- Stepping out of the Frame: Re-visioning the Slave Narrative in David Dabydeen’s A Harlot’s Progress (1999)
Par Élise Tendron
[Fiche] In his novel A Harlot’s Progress, David Dabydeen reimagines William Hogarth’s eponymous series of engravings by giving a voice to Mungo, a young black servant marginalised in the original artwork. The novel challenges the conventions of slave narratives by presenting a fragmented, (...)
- Donald Trump et le vote des femmes évangéliques blanches
Par Louise Chabanel
[Fiche] Cette fiche analyse le soutien des femmes évangéliques blanches à Donald Trump, particulièrement à l’occasion de l’élection présidentielle de 2024, malgré ses positions antiféministes. Nous proposons d’étudier ce phénomène à travers la socialisation genrée dans les (...)
- Multilingualism in Min Jin Lee’s Pachinko (2017)
Par Lison Brault
[Fiche] In her second novel Pachinko, Min Jin Lee narrates the life of a Korean family who immigrated to Japan. Three languages—English, Korean and Japanese—intertwine and clash in this chronicle of multilingual societies and families. Contrasting linguistic uses and perceptions underline (...)
- Les États-Unis sont-ils toujours une démocratie ?
Par Hugo Toudic
[Conférence] Dans le cadre de l'événement "Célébrer l'indépendance des États-Unis en Auvergne-Rhône-Alpes", organisé par la DRAREIC de l'Académie de Lyon, Hugo Toudic a donné deux conférences sur la situation politique aux États-Unis et l'influence de Montesquieu sur le système (...)
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