[Conférence] As part of the event “Celebrating US Independence in Auvergne-Rhône-Alpes”, organized by the DRAREIC of the Académie de Lyon, Aurore Portet analyses the ways archetypes are created through visual representation and the three waves of pictorial representations of the American (...)

[Conférence] Dans le cadre de l'événement "Célébrer l'indépendance des États-Unis en Auvergne-Rhône-Alpes", organisé par la DRAREIC de l'Académie de Lyon, Agnès Delahaye met en lumière le rôle des femmes dans la Révolution américaine.

[Fiche] This article examines the evolution of the portrayal of women in American horror films. Far from static, female representation in horror has undergone a dramatic transformation, evolving from the subversive and complex figures of the silent era, to the helpless, moralized victims of the Hays (...)

[Fiche] The Substance is a grotesque and satirical body horror film that reimagines Hollywood’s obsession with youth and beauty through the tragic story of Elisabeth Sparkle, an aging TV star who uses an experimental drug to create a younger version of herself. This article examines how the (...)

[Question d’actualité] The Soweto Massacre of June 16, 1976, was a protest led by black school children against the apartheid government’s imposition of Afrikaans as the language of instruction in black schools. Thousands of pupils where marching peacefully in the Soweto township when the (...)

[Fiche] In her debut novel The Parisian, Isabella Hammad narrates the life story of Midhat Kamal and his family in Nablus, during a pivotal period when Palestinian territory transitions from Ottoman rule to British control. Through Midhat’s journey to France and back to Nablus in 1919, this (...)