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The Politics of Fear

Read Corey Robin's text
In Fear: The History of a Political Idea, I argued that “one day, the war on terrorism will come to an end. All wars do. And when it does, we will find ourselves still living in fear: not of terrorism or radical Islam, but of the domestic rulers that fear has left behind.” When I wrote “one day,” I was thinking decades, not years. I figured that the war on terror—less the invasions, wars, torture, drone attacks, and assassinations than the broader atmosphere of pervasive and militarized dread, what Hobbes called “a tract of time, wherein the will to contend by battle is sufficiently known” and an enemy is perceived as permanent and irrepressible—would continue at least into the 2010s...

First person narratives

Séquence pédagogique LELE
An author always has a good reason for using the first person. Whether he wishes to share his memories with us, to embody the narration or simply to give more credit to a work of fiction, the ‘I’ always stands as a fascinating object of literary analysis…
- The art of self-portraits (William Hogarth, Norman Rockwell and Mirror Guy)
- Gulliver's Travels (Jonathan Swift and his narrators)
- The Great Mouse Plot (Roald Dahl's childhood memories)
- Writing on the self (Three authors reflect autobiography, memory and fiction)

Revue de presse


Chaque lundi, mardi, jeudi et vendredi, La Clé des langues vous propose plusieurs regards sur un évènement marquant ou insolite de l'actualité de la sphère culturelle anglophone. Notre sélection d'articles est issue des grands quotidiens britanniques et américains. Visualisez les premiers paragraphes sur notre site, vous pourrez ensuite consulter l'intégralité de l'article sur le site du journal. La revue de presse est relayée sur notre page Facebook et accompagnée d'une image du jour : abonnez vous! (cliquez sur "j'aime")
 

Le nuage de mots : une nouvelle façon de découvrir La Clé

 
 
mise à jour le 19 décembre 2014
Créé le 18 octobre 2006
ISSN 2107-7029
DGESCO Clé des Langues