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Littérature américaine

Alice Béja - publié le 27/11/2008

Ces extraits sont sélectionnés et présentés par Alice Béja, en complément de son article "Littérature et société aux Etats-Unis : 1917-1968".

Alice Béja - publié le 27/11/2008

Cet article propose un regard sur la littérature américaine du 20e siècle dans son rapport à l'idée d'Amérique. Les guerres et crises que traversent les Etats-Unis au cours de la période 1917-1968 contribuent à une dégradation de l'"American Dream" en "American way of life" à laquelle les écrivains américains réagissent en recherchant de nouvelles origines pour construire, en fin de compte, leur propre idée d'Amérique. Cet article est tiré d'une conférence donnée le 10 janvier ...

Anne Musset - publié le 05/07/2008

The story is set in the outskirts of the Bronx in 1935. Rose Meadows, orphaned at the age of 18, becomes an assistant to Professor Mitwisser, a specialist of a 9th-century heretic Jewish sect. Professor Mitwisser, his wife (a renowned physicist but now a near-madwoman) and their five children are German refugees who survive thanks to their young benefactor James A’Bair. James is heir to the fortune amassed by his father, who took him as a model for a very popular series of children’s books ...

Alice Bonzom - publié le 05/07/2008

The novel narrates the story of Oskar Schell, a precocious nine-year-old inventor, pacifist, percussionist, and Francophile, whose father died during the attacks of 9/11. A couple of years after his father’s death, he finds a mysterious key in an envelope with the name “Black” on it, in a vase in a closet. Sure that the key belonged to his father, he decides to visit everyone named “Black” in the five boroughs of New York to discover what it opens. Intertwined with Oskar’s quest are ...

Juliette Tran - publié le 05/07/2008

A review of Paul Auster's The Brooklyn Follies.

Armelle Calonne - publié le 05/07/2008

"The Good Life" is a story about many things: it deals with love and loss, with life and death, with contradictory feelings that, in the end, are all but one.

Mélanie Roche - publié le 05/03/2008

Cohen's poetry – the title of the book makes no mystery of it – deals essentially with longing: longing for women, for God, or simply truth. What emerges from the whole book is the idea of an irretrievable loss. From the beginning, we learn that in spite of the author's retreat on Mount Baldy, enlightenment has hardly touched him: he has found neither God nor any essential truth.

Auréliane Narvaez - publié le 05/03/2008

Thirty years after the colorful 1970’s, hurricane Katrina, the Bush Administration’s failure, social inequalities are proof that America is sinking into the Discomfort Zone, along with the narrator who gives way to his discrete feeling of helplessness and invites us to live with it the way he does in a disenchanted but yet humourous way.