The Works of William Hogarth - Contents
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The primary aim of this project is to facilitate access to William Hogarth’s works on the web and to create a coherent database for teachers and researchers. The engravings come from the 1822 Nichols edition which was printed from the original plates (restored by James Heath). We have also reproduced the biographical essay and explanatory notes written by John Nichols for his edition of Hogarth’s works. Scholars are welcome to download and use our material in their own works as long as they credit La Clé des langues (Clifford Armion, dir.) and ENS Média (Vincent Brault, photo) for the reproductions.
Plates and commentaries included in the Nichols edition
- Title page of the Nichols edition
- Portraits of Hogarth
- Biographical essay on the genius and works of Hogarth (Part I)
- Biographical essay on the genius and works of Hogarth (Part II)
- The Harlot's Progress
- "An emblematic print on the South Sea" and "The Lottery"
- Masquerades and Operas - Burlington-gate
- Altar-Piece at St. Clement's
- Royalty, Episcopacy, and Law
- Large Masquerade Ticket
- Twelve prints of Hudibras
- The Beggars' Opera
- Beggars' Opera Burlesqued
- Just View of the British Stage
- Examination of Bambridge
- King Henry VIII and Anna Bulleyn
- The Indian Emperor
- Sarah Malcolm
- Boys Peeping at Nature
- The Laughing Audience
- A Chorus of Singers
- Southwark Fair
- Midnight Modern Conversation
- The Man of Taste
- Rich's Triumphant Entry
- The Rake's Progress
- Woman Swearing a Child
- Sancho at a Magnificent Feast
- The Sleeping Congregation
- Company of Undertakers
- The Lecture
- The Distressed Poet
- The Pool of Bethesda and The Good Samaritan
- Four Times of the Day
- Strolling Actresses Dressing
- The Enraged Musician
- Martin Folkes, Esq.
- Taste in High Life
- Bishop Hoadly
- Characters and Caricaturas
- Battle of the Pictures
- Marriage à-la-mode
- Garrick in King Richard III
- Simon Lord Lovat
- A Country Inn-Yard
- Industry and Idleness
- Hymen and Cupid
- Mr. Ranby's House at Chiswick
- The March to Finchley
- The Gate of Calais
- Beer Street
- Gin Lane
- Four Stages of Cruelty
- Paul Before Felix
- Moses Before Pharaoh's Daughter
- Columbus Breaking the Egg
- Crowns, Mitres, Maces, &c.
- The Analysis of Beauty
- Four Prints of an Election
- The Royal Masquerade
- France
- England
- The Bench
- The Cockpit
- Five Orders of Periwigs
- Don Quixote
- False Perspective
- Brook Taylor's Architecture
- The Farmer's Return
- The Artists' Catalogue
- The Weighing House
- Tristram Shandy
- The Times - Plate I
- The Times - Plate II
- John Wilkes
- Charles Churchill
- Four Heads from the Cartoons
- Sigismunda
- Time Smoking a Picture
- The Shrimp-Girl
- The Politician
- Lord Holland
- Earl of Charlemont
- The House of Commons
- Captain Thomas Coram
- Debates on Palmistry
- The Stay-Maker
- The Medley
- Six Tickets
- Finis, on The Bathos
Before and After
These two prints were set aside from the 1822 Nichols edition for obvious reasons of morality. The plates were nonetheless restored by James Heath and sold with the volume in a separate envelope.
Pour citer cette ressource :
Clifford Armion, Vincent Brault, The Works of William Hogarth - Contents, La Clé des Langues [en ligne], Lyon, ENS de LYON/DGESCO (ISSN 2107-7029), juin 2013. Consulté le 26/12/2024. URL: https://cle.ens-lyon.fr/anglais/arts/peinture/the-works-of-william-hogarth