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4 ressources contiennent le mot-clé Afro Américan.

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In Support of Affirmative Action

par Randall Kennedy, publié le 06/02/2014

article.png There are several good justifications for racial affirmative action in a society that has long been a pigmentocracy in which white people have been privileged and people of color oppressed. Affirmative action can ameliorate debilitating scars left by past racial mistreatment – scars (such as educational deprivation) that handicap racial minorities as they seek to compete with whites who have been free of racial subordination. Affirmative action can also counter racially prejudiced misconduct. True, an array of laws supposedly protect people in America from racial mistreatment. But these laws are notoriously under-enforced...

Rencontre avec Randall Kennedy

par Randall Kennedy, Kédem Ferré, publié le 10/01/2014

entretien.png type-video.png texte.png Harvard Law Professor Randall Kennedy answered Aiguerande 11th graders before a conference at the Hôtel de Région for the Villa Gillet Mode d'Emploi festival, on 24 November 2013 in Lyon, France. The meeting was organised by the Villa Gillet and La Clé des Langues, and was prepared by Kédem Ferré and his students.

The black community in New York, past and present

par Alondra Nelson, Clifford Armion, publié le 15/01/2013

entretien.png type-video.png telechargement.png Alondra Nelson tells us about the history of the black community in New York; where they came from, where they settled and why. She also explores issues related to the urban development in Manhattan and to the gentrification of Harlem.

Publishing during the Harlem Renaissance

par Cécile Cottenet , publié le 18/02/2011

article.png This article proposes to present the American literary and publishing scene of the 1920s, that favored the publication of Langston Hughes's first two volumes of poetry, The Weary Blues (1926) and Fine Clothes to the Jew (1927). I will first attempt to define the Harlem Renaissance, its temporal boundaries and leading figures, before highlighting the particular nexus of magazine editors, white patrons and publishers, that contributed to the flowering of the New Negro movement.