À consulter également
4 ressources contiennent le mot-clé Gothic.
Rechercher aussi dans titre et résumé (recherche structurée).
Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray (1890)
par Louise Bailly, publié le 17/09/2020Known for his witty aphorisms, fanciful style and extravagant way of life, Oscar Wilde was not only a dandy par excellence but also a major figure of nineteenth-century literature. In The Picture of Dorian Gray, he expresses his belief that art should be dissociated from moral considerations and creates an anti-hero at odds with traditional protagonists whose virtuous behaviours were meant to be exemplary models.
Helen Oyeyemi reading from White is for Witching - Assises Internationales du Roman 2012
par Helen Oyeyemi, Patricia Armion, publié le 08/06/2012Helen Oyeyemi took part in the sixth edition of the Assises Internationales du Roman, organised by the Villa Gillet and Le Monde. She was kind enough to read an extract from White is for Witching, her stunning Neo-Gothic novel.
An interview with Helen Oyeyemi - Assises Internationales du Roman 2012
par Helen Oyeyemi, Patricia Armion, publié le 06/06/2012Helen Oyeyemi took part in the sixth edition of the Assises Internationales du Roman, organised by the Villa Gillet and Le Monde. She answered our questions on White is for Witching, a stunning Neo-Gothic novel.
The Victorian Sensation Novel
par Sophie Lemercier-Goddard, David Amigoni, publié le 02/05/2008The sensation novel developed in Britain in the 1860s with Wilkie Collins as its most famous representative and has been increasingly presented as a sub-genre revealing the cultural anxiety of the Victorian period. Its complex narrative which relies on a tangle of mysteries and secrets introduces the character of the detective while heavily resorting to the Gothic machinery with the figure of the persecuted maiden and that of the villain.