Liste des résultats
Il y a 11 éléments qui correspondent à vos termes de recherche.
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Urbanizing coastal areas facing environmental challenges: The case of Timor-Leste
par Christine Cabasset,
publié le 17/12/2021
- When Timor-Leste (East Timor), a country smaller than Slovenia, gained independence in 2002, everything had to be either built or rebuilt. Based on a study of the coastline, this article addresses the following question through the analysis of a wide range of issues (risks, planning, tourism, development, governance, etc.): Could Timor-Leste have become a laboratory for sustainable development?
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Big Brother - A conversation with Lionel Shriver
par Lionel Shriver, Clifford Armion,
publié le 30/06/2015
- The author of numerous novels, she won the Orange Prize for We Need to Talk About Kevin, adapted for the screen in 2011 by Lynne Ramsay. Her sarcastic flair is evident in Big Brother: Pandora, a highly successful businesswoman who hasn’t seen her brother—a seductive, boastful, jazz prodigy—in five years finds him obese, neglected, and compulsive. Lionel Shriver provides a keen analysis of our neurotic relationship with food and the alarming increase in obesity in our societies.
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Analysing front pages
par Clifford Armion,
publié le 20/01/2015
- A front page tells you a lot about the contents of a newspaper and its attitude towards the news. Even if the traditional format difference between broadsheet newspapers and the more compact tabloids is disappearing – most papers are now printed in the same size – you can still easily recognize serious newspapers from tabloids. Tabloids usually have a large red masthead, very bold typeface and eye-catching pictures. The more serious papers have more text on the front-page and a plainer layout. Contrary to tabloids, broadsheets have no puns or jokes in the headlines and use a more formal language. Here are the main features you will find in any front-page…
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Analysing press images
par Clifford Armion,
publié le 13/01/2015
- Newspapers and press websites NEED to illustrate their pages with a variety of images. Illustration, along with headlines, is what draws the attention of the reader/buyer/visitor. When looking at a press image, one has to wonder why that particular picture has been chosen and how it contributes to the news. Here are a few examples showing how those images function.
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Living, Thinking, Looking - A conversation with Siri Hustvedt
par Siri Hustvedt, Clifford Armion,
publié le 26/08/2014
- Siri Hustvedt took part in the eighth edition of the Assises Internationales du Roman, organised by the Villa Gillet and Le Monde. She answered our questions on her collection of essays, Living, Thinking, Looking.
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William Hogarth - The Analysis of Beauty
par Vincent Brault,
publié le 04/06/2013
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Reproductions commentées des deux oeuvres de la série "The Analysis of Beauty" du graveur anglais William Hogarth.
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Stylistics from Scratch: My ‘Take’ on Stylistics and How to Go About a Stylistic Analysis
par Mick Short,
publié le 24/04/2012
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Mick Short was invited by Manuel Jobert as part of the tenth edition of the Discourse Analysis Conferences, organised by the Société de Stylistique Anglaise and Lyon 3. After giving some precious advice to students in stylistics and explaining the "foregrounding theory", he analysed a number of texts including the front page of a British tabloid, a poem by Robert Frost and a passage from Colum McCann’s Let the Great World Spin.
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Narration in the Human Mind
par Siri Hustvedt,
publié le 16/02/2012
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"Human beings are forever explaining themselves to themselves. This is the nature of our self-consciousness. We are not only awake and aware of the world around us, but are able to reflect on ourselves as actors in that world. We reason and we tell stories. Unlike our mammalian relatives who do not narrate their own lives, we become characters in our own tales, both when we recollect ourselves in the past and imagine ourselves in the future. Our ability to represent our experience in language - in those sounds and signs of our essential intersubjectivity - allows us the necessary symbolic alienation required for mental time travel..."
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Conscious and Unconscious Narrative Literature, Psychoanalysis and Neuroscience
par Siri Hustvedt, Lionel Naccache,
publié le 20/01/2012
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Nous passons une grande partie de notre vie à élaborer des fictions, à nous raconter des histoires et à en raconter aux autres. La narration est profondément enracinée dans l'esprit humain, à un niveau à la fois conscient et inconscient. Produire une narration est une façon de donner du sens à l'expérience factuelle. Mais les fictions créées par le cerveau humain et celles que les romanciers imaginent sont-elles de même nature ? L'écrivain américain Siri Hustvedt et le neurobiologiste français Lionel Naccache exprimeront leurs points de vue originaux, pénétrants et empathiques sur cette question.
We all spend our time constructing fictions, telling stories to ourselves and to others. Narration is deeply rooted in the human mind, at a conscious and unconscious level. Producing a narrative is a way of giving meaning to factual experience. Are the fictions created by the human brain and those imagined by novelists of the same nature? American writer Siri Hustvedt and French neurobiologist Lionel Naccache express their original, incisive and empathetic views on these questions.
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Obscurity and Dylan Thomas’s early poetry
par Iris Yaron-Leconte ,
publié le 07/10/2010
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This article presents an analysis of Dylan Thomas’s early poem “When once the twilight locks no longer”, ignored by scholars, probably because of its extreme obscurity. The analysis is preceded by a theoretical discussion of obscurity in poetry and offers a definition of the term “obscure poem”. I argue that in reading an obscure poem significant changes are generated in the dynamics of text processing. In transgressing the rules of communication, Thomas’s poem raises the question as to how the reader is to decode it.
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La mort de l'intertexte : Les voies tortueuses de la voix textuelle dans Tamburlaine Must Die de Louise Welsh
par Claude Maisonnat,
publié le 09/10/2009
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L’objet de ce travail est de problématiser la notion d’intertexte en prenant appui sur le court roman de Louise Welsh : Tamburlaine Must Die. Dans le sillage des études du généticien Louis Hay qui proposait dès 1985 que le texte n’existe pas, l’introduction propose d’argumenter que l’intertexte n’existe pas, il n’existe que des modalités d’intertextualité dont le point commun est le fantasme originaire : l’illusion que l’on pourrait identifier un point d’origine fixe et stable à l’écriture. En lieu et place de l’intertexte est alors postulée l’existence de ce qu’on pourrait appeler la voix textuelle, distincte de la voix auctoriale de l’autorité de l’auteur, qui serait en partie fondée sur la co-présence de multiples modalités d’intertextualité mais qui dépasse largement ce cadre si on la relie à la problématique analytique de l’objet-voix lacanien.