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"60% of new jobs are precarious jobs": A conversation with Ken Loach par Ken Loach, publié le 14/11/2019
Ken Loach was invited to the Festival Lumière in Lyon to present his new film, Sorry We Missed You, about a family struggling in the wake of the 2008 financial crash. His masterclass at the Comédie Odéon was moderated by Thierry Frémaux, director of the Festival, and Clémentine Autin, a French politician. This resource is an edited transcript of the discussion about the film.
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The Gay Liberation Front and queer rights in the UK: a conversation with Jeffrey Weeks par Jeffrey Weeks, publié le 23/05/2019
Jeffrey Weeks is a gay activist and historian specialising in the history of sexuality. His work includes Socialism and the New Life (1977) and Coming Out: Homosexual Politics in Britain from the Nineteenth Century to the Present (1977). He was invited at the LGBT Centre in Lyon to talk about his latest book What is sexual history (2016), which has been translated in French and published by the Presses Universitaires de Lyon. The discussion was moderated by Quentin Zimmerman.
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Manu Joseph: Les familles : liaisons et déliaisons par Manu Joseph, publié le 03/05/2016
Ce texte a été écrit lors des Assises Internationales du Roman 2015, suite à la discussion animée par Raphaëlle Leyris, avec Manu Joseph, Florence Seyvos et Zeruya Shalev. "When I was a child, our home had a sofa that had a big hole in the seat. The sofa was draped in a sheet and only the family knew about the hole. One day, the surly landlord came asking for rent. My mother invited him in on purpose, and made him sit on the sofa. As he sank into the hole, she laughed. My mother did things people did not understand."
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Outline for a Discussion on Toleration par Karen Barkey, publié le 09/01/2015
"There are a few ways of thinking about toleration: I define toleration as more or less absence of persecution; the acceptance of a plurality of religions, but not necessarily their acceptance into society as full and welcomed members/communities. Toleration can mean the acceptance of “difference” and a lack of interest beyond the instrumentality to maintain a coherent polity."
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What's a hero? par Susan Neiman, publié le 01/04/2014
When talking about heroes I’ve often been asked if I could please drop the problematic term ‘hero’ in favor of the term ‘role model’. I cannot, since the word role model is part of the problem: a sterile term that social scientists invented in 1957, which simply doesn’t work the way the word heroes does: to inspire, to challenge, to light fires for (and under) people of whatever age who need to be reminded that there is more to their lives than they are told to be resigned to. When attempting to use the word hero in a BBC discussion I was attacked by an interlocutor who justified her refusal to use the old-fashioned word ‘hero’ because “Hitler and Stalin were heroes.”
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Kate O'Riordan: Visions of Ireland - A writer's view par Kate O'Riordan, publié le 17/09/2013
A Londoner by adoption, Kate O’Riordan grew up in the small city of Bantry on the west coast of Ireland. With Le Garçon dans la lune, published in 2008 and Pierres de mémoire, in 2009, O’Riordan signed two new remarkable opuses in which she questions family relationships. A novelist and short-story writer, Kate O’Riordan also writes for the cinema and continues to confirm her legitimate place among Irish authors who count. She came to the Villa Gillet to take part in a discussion on 'Ireland by Irish writers'.
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The Speckled People - a conversation with Hugo Hamilton par Hugo Hamilton, Kouadio N'Duessan, publié le 10/06/2013
Somebody mentioned the word confusion. That is probably the word that describes my childhood most clearly. It was a confusion of languages, confusion between the inside of the house and the outside of the house, confusion between my father’s idealism and my mother’s memories. There’s always been confusion in my life.
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Conscious and Unconscious Narrative Literature, Psychoanalysis and Neuroscience par Siri Hustvedt, Lionel Naccache, publié le 20/01/2012
Nous passons une grande partie de notre vie à élaborer des fictions, à nous raconter des histoires et à en raconter aux autres. La narration est profondément enracinée dans l'esprit humain, à un niveau à la fois conscient et inconscient. Produire une narration est une façon de donner du sens à l'expérience factuelle. Mais les fictions créées par le cerveau humain et celles que les romanciers imaginent sont-elles de même nature ? L'écrivain américain Siri Hustvedt et le neurobiologiste français Lionel Naccache exprimeront leurs points de vue originaux, pénétrants et empathiques sur cette question. We all spend our time constructing fictions, telling stories to ourselves and to others. Narration is deeply rooted in the human mind, at a conscious and unconscious level. Producing a narrative is a way of giving meaning to factual experience. Are the fictions created by the human brain and those imagined by novelists of the same nature? American writer Siri Hustvedt and French neurobiologist Lionel Naccache express their original, incisive and empathetic views on these questions.
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Chords and Discords - Musical Patterns of Affinities par Pierre Bayard, Wendy Lesser, François Noudelmann, publié le 20/01/2012
Les « tables d'affinités » établies par les chimistes ont souvent servi de modèle aux rencontres sentimentales. Or, la concordance et la discordance qui résultent des affinités sont plus proches des phénomènes musicaux, où les associations redistribuent infiniment les correspondances harmoniques. Pierre Bayard, auteur de Comment parler des livres que l'on n'a pas lus, abordera cette question avec Wendy Lesser, auteur de Music for Silenced Voices : Shostakovich and His Fifteen Quartets, et François Noudelmann, qui explore, dans Le Toucher les philosophes (en cours de traduction) la relation que Barthes, Sartre et Nietzsche avaient avec leur propre pratique du piano. The affinity tables established by chemists served as models for sentimental encounters. But the concordance and discordance resulting from affinities are closer to musical phenomena, where associations infinitely redistribute harmonic correlations. Pierre Bayard, author of How to Talk About Books You Haven't Read, will discuss this topic with Wendy Lesser, author of Music for Silenced Voices: Shostakovich and His Fifteen Quartets, and François Noudelmann, who explores in Le toucher des philosophes (to be translated) the relationship that Barthes, Sartre and Nietzsche had to their own practise of the piano.
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The Need to See and the Will not to Know - How we deal with catastrophes par Craig Calhoun, Jean-Pierre Dupuy, Eric Klinenberg, Michel Lussault, Nicholas Mirzoeff, publié le 20/01/2012
Au cours de l'année écoulée, un groupe d'éminents sociologues français et américains se sont rencontrés à Lyon et à New York à plusieurs reprises. Il s'agissait d'explorer notre intérêt culturel pour les catastrophes récentes et l'émergence de certaines menaces sur notre climat, nos villes et nos communautés ; de sonder notre désir d'en savoir plus ou, au contraire, de rester dans l'ignorance. Les cinq chercheurs présenteront le résultat de leur réflexion à l'occasion de cette soirée à l'IPK. During one year leading French and American social scientists met several times in Lyon and New York to explore our cultural interest in knowing and not knowing about recent catastrophes and emerging threats to our climate, cities, and communities. They will share the result of their reflection.
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The Actual Lives of Catherine Millet and Robert Storr par Catherine Millet, Robert Storr, publié le 19/01/2012
De part et d'autre de l'Atlantique, Catherine Millet et Robert Storr ont joué un rôle clef, comme témoins et acteurs, dans la transformation du monde de l'art. Catherine Millet, auteur des best-sellers La Vie sexuelle de Catherine M. et Jalousie et rédactrice en chef du magazine Art Press, rencontrera Robert Storr, ancien conservateur du MoMa de New York et doyen de la Faculté des Beaux-arts de l'université de Yale, pour discuter de leurs nombreux intérêts communs, de leurs carrières parfois entremêlées et de la scène artistique contemporaine. Le dialogue entre ces deux collègues et amis apportera un éclairage sur le monde toujours changeant et surprenant de l'art contemporain et dévoilera l'itinéraire artistique et intellectuel de deux de ses acteurs les plus éloquents. On both sides of the Atlantic, Catherine Millet and Robert Storr have played key rolesas witnesses and actorsin the transformations of the art world. Catherine Millet, author of bestsellers The Sexual Life of Catherine M and Jealousy and editor-in-chief of Art Press magazine, will join Robert Storr, former curator of MoMA and the dean of the School of Art at Yale University, to discuss their wide-ranging interests, their intermingled careers, and the current art scene.
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Obscurity and Dylan Thomas’s early poetry par Iris Yaron-Leconte , publié le 07/10/2010
This article presents an analysis of Dylan Thomas’s early poem “When once the twilight locks no longer”, ignored by scholars, probably because of its extreme obscurity. The analysis is preceded by a theoretical discussion of obscurity in poetry and offers a definition of the term “obscure poem”. I argue that in reading an obscure poem significant changes are generated in the dynamics of text processing. In transgressing the rules of communication, Thomas’s poem raises the question as to how the reader is to decode it.
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Paul Auster: A General Introduction par Jocelyn Dupont, publié le 13/02/2009
This document provides a short general overview of Paul Auster’s work. After a brief discussion of Auster’s texts positioning in the literary heritage, it tackles the place and role of the writer in an often alienating environment. It then deals with the representation of the city in Auster’s work, notably Brooklyn, before concluding on the gift for storytelling that so characterizes Paul Auster’s production.
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The "mechanics of reality": Paul Auster speaks about his work and inspiration par Paul Auster, Jocelyn Dupont, publié le 15/01/2009
A l'occasion du passage de Paul Auster à Lyon, la Villa Gillet a organisé une rencontre entre l'auteur des Brooklyn Follies et plusieurs centaines de lycéens étudiant cette oeuvre pour leur bac d'anglais. La première partie de l'entretien a été menée par Jocelyn Dupont, puis, dans la seconde partie, les lycéens ont pu poser eux-mêmes leurs questions à Paul Auster.
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